Friday, May 18, 2018

The rabbit is correct.

Ten years is a long time to do anything. Especially considering many people have an attention span measured in syllabl-...and I've lost you.

Even more impressive than a decade of doing anything people still care about - is doing it well. Maybe the competition, after defecating on it and setting it ablaze, has set the bar impossibly low, but the winning formula, rote as it may be, is damn near undefeated.

Hell, even if you only like half of the films in the Marvel Cinematic Universe, and would be all for the rest of them quietly fading away from existence, you still need all your damn fingers to count the good ones. 

Half. Half. 

Half is a lot to love. And it's even more to lose.


I liked more than half of Avengers: Infinity War, shit, I pretty much enjoyed the whole damn thing. As the (current) culmination of a decade-long endeavor, Marvel's latest cash-cow is everything you could hope for in a two-and-a-half hour who's-who of the MCU.

Now that we've established a few dozen characters, a handful of allegiances and locales, it's time to unleash the Kraken. But instead of a tentacled anus monster, we're talking Thanos - a huge purple dude with a nutsac chin. Thanos has been looming large in the background for awhile, but apparently, the time has come. According to Gamora's step-dad...

...the world must end. So that it can survive.

Wait, what?

Actually, I'm a big fan of Agent Smith's Thanos' plan, as it calls for an indiscriminate swiping left of the entire universe. Turns out, half of you bitches gotsta go, or else eventually, we're all gonna die. So...yay, Angry Grimace, right?

Not exactly, as Tony Stark and his crew ain't exactly too keen on this whole kill half the population agenda, even if the last time we saw the whole gang...they were splitting into even sides and fighting to the f--king death. Well, fine no one actually died in Civil War... unless you count Rhody's ability to play hopscotch as an actually fatality. Which I do.

Thursday, May 10, 2018

Did I tell you about my birthday?

The Magnificent. 
Pounds. 
Years (both Itch and In Tibet)
Days in Entebbe.

The number seven has been celebrated in many things cinematic, and as of this evening, Two Dollar Cinema joins the party. Happy birthday to... we?

And while I haven't seen a single film mentioned in the above list, in the last three hundred and sixty five days, I did to see (and 'review') seventy six films. Yes, that's likely an all-time low for a calendar year, but remember, it's not quantity that matters....it's quality.

Oooh...about that.

Monday, May 7, 2018

Why is sex even bad?

My prom night was the worst. Full-on golden sombrero.

1) I took my best friend's girlfriend. K looking.
2) I was named prom king, but didn't even dance with the queen, who was essentially the girl of my dreams/the girl I was no longer...dating? [super vague was how we rolled] Swinging on high heat.
3) I bailed on the all the post-prom parties, and instead went to the f--king movies like an asshole. I won't even make it worse and tell you what I saw. Down looking on a knee-buckling curve.
4) The fact that I'm willing to admit any of this, let alone compare it to my wife's own prom story (more on that never)? Strike three. Bases loaded. Get the f--k outta here.


Typically, teen sex romps (if that's a thing) are about a couple of horny guys trying to get laid (see: Porky's, American Pie, Revenge of the Nerds, etc.). Blockers, from director Kay Cannon, punches those traditions square in the dick, as it not only focuses on three young ladies trying to get lucky, but also the parents' quest to intervene. Sometimes sweet and routinely funny, this little R-rated comedy had me and my wife rolling.

But it also had me thinking. A lot.
And crying.

A little.

Julie, Kayla and Sam have been friends for, like, forever. As senior prom approaches (and college looms), it's clear that this night may be their final big blowout together. And what better way to never forget one another...by all losing their virginity on the same night. Um, okay. Sign me up. Er, the 1997 version of me, that is.

Anyway, Julie (the blonde) has a super-sweet boyfriend and a Walgreen's candle, meaning getting boned should be easy-peasy, lemon-booty squeezy. Kayla (the jock) just kind of picked some rando named Connor, and he seems down for...well, for just about anything. Book this one, too. Just do it pencil, as Connor's a bit into herbs and spices, so who knows what condition he'll be in, come Hammer Time. But young Sam? Well, she kind of reluctantly entered the pact to begin with, and her date Chad? Well, he ain't exactly wetting her whistle, despite rocking such a killer fedora. Sam looks to be a long shot on the deal-sealing side of things.

Monday, April 30, 2018

That was nuts what happened in there.

Give me a second - carry the three - got it. I ran the numbers and while the math is good, the result is not. My wife and I have one couple we regularly spend time with. We've flirted (wrong word) with a few others, but they've all been, more or less, one-and-dones. A dinner. Maybe some...bowling (once)? Sure. But never the feeling of we should do that again.

And ever since our kids were born, outside of a wedding or two - any get together we've ever mustered, has always had children present. Ours and theirs. The kids have fun, which is great. The adults...not as/so much.

But imagine the fun we could have if they weren't around?

That's not what you think it is.
Certainly nothing like what's featured in 2015's The Overnight, a relentlessly shocking and awkward (shockward?) comedy from Patrick Brice (uh, the dude responsible for Creep [review]). Running a scant 70+ minutes, this cringe-fest about making new friends as a grownup might make you reconsider your next evening among adults, in addition to your own policy on posing for a portrait.

Alex and Emily, with their young son RJ, have recently relocated to sunny Los Angeles. While Emily settles into her new office job, Alex is doing the stay-at-home dad thing for awhile. It's a sweet gig, sure, but not when you (and your son) don't know anybody in your new neighborhood.

Begrudgingly, Alex takes the kid to a birthday party, where instantly they meet a fairly awesome (though marginally peculiar) dude named Kurt, who has a son around the same age as RJ. Thanks to some gummy worms, the boys hit it off quickly. The adults? Same. Kurt insists that Alex and Emily come over for dinner that night. Which, of course, sounds nice.

From there, well it's anyone's guess, as what starts out as dinner and conversation ends up with bong hits, full-frontal dong shots, peephole-laden all-night massage parlors and incredibly intimate portaits (to say the least). And that ain't even the half of it. While The Overnight isn't exactly laugh-out-loud funny, it's so incredibly bizarre and charming my wife (yes, she stayed up) and I were enthralled from start to finish.

Wednesday, April 25, 2018

Your father will always protect you.

I have been a father for almost nine years.

And outside of the rad homemade cards from the kids (and the fact that I'm, quite literally, a motherf--ker), the best part about being a dad is I'm now qualified to give advice at anytime to new fathers. Even if they didn't ask for it. And even if I don't know what I'm talking about. For example...

Always park closest to 'cart return', even if it's a mile away from the entrance. You'll thank me on the way home.

Mom is outworking you - always. You might think because the kids are sleeping, she might actually let her guard down. She doesn't. She's just worrying less. 

But most importantly, when buying your kids toys, their enjoyment is secondary. I don't care how happy they were in the store when they saw it. Ask yourself, how will this feel to step on? How long will it take to put away? And if that toy emits any sounds...are they something that could potentially drive you insane?


Oh, and one last bit of advice?Ditch your kids and go see A Quiet Place in a crowded theater. Just don't bring my mom with you.

Set in a near-future where our planet has been ravaged by deadly monsters, the story centers around the everyday struggles of a singular family comprised of mom, dad and three kids. When the film opens, even a quick trip to (what's left of) town, is a life-and-death chess game of us. versus them. Apparently noise triggers these vicious creatures, and one false step, er, sound, will result in the grisly death of whoever made it. Simple? Sure. But effective, Hell yes.

This f--ker could easily be the most tense film I have ever seen in my entire movie-going life. Few films have sucked the air out of me as quickly John Krasinki's latest, but absolutely zero have ever sustained such breathlessness throughout their entire duration. If not for the emotional break that comes from wanting to straight-up murder the person sitting to my right (oddly enough, the woman who gave me life), I might have actually died during this one. Meaning? I absolutely f--king loved it.

Wednesday, April 18, 2018

Look, no one cares about you now.

Ah, the things we do for the people we care about.

Some people will skulk around a deserted wasteland for days, where the only happy face they'll come across is pasted on their own narrow ass.

Others will get knocked up, gear up, and formed an armed militia of mothers-to-be. Cause, you know, there's nothing expecting mothers love more than brandishing assault rifles.

And others still, in order to maintain the existence of their own family, will do nothing but take and destroy life. Maybe it's the hunting of an animal to eat, or the murder of a fat man bartering gas for ass, you know, those old cliches. And maybe, if you in a real pinch, maybe you'll cut the arm and leg off a young woman...and cook that shit for dinner. I mean, the kids gotta eat...

But me? Well, I ain't really about killing anything...except time. So, if they ask me, (eventually) I'll watch a terrible movie for someone that means a lot to me. Well..

...used to mean a lot to me...

Fine, I still have nothing but love for Margaret over at the [at times] wondrously perverted cinematic corner, but after guilting/violently coercing me into The Bad Batch, the exact amount may be in question. I mean, sweet Jesus, this one makes Butter [review] look like Citizen Kane [review], for f--k's sake.

Apparently, a lot of people really dig/dug A Girl Walks Home Alone At Night (no disrespect, but I fell asleep every time I gave it a try). The film's director, Ana Lily Amirpour parlayed that success into her next feature, 2016's The Bad Batch. Obviously I can't say whether this one is a step back or a step forward, but if this is progress...holy f--k. 

Set in a seemingly not-too-distant future, the film opens with some chick named Arlen getting branded as bad, and then unceremoniously dumped into a dry and dusty wasteland somewhere near Texas. Almost immediately, she's knocked out and wakes up to find that some gnarly bitch is cutting her arm and leg off. You know, because she's hungry. 

Hey, Blogger Guy, why don't they just kill her and eat her other arm and leg, too (and ass, frankly)? Uh, because if you keep her alive, she'll grow new limbs like a f--king gecko, you dim-witted asshole. Stop trying to use logic, facts, reason, or any other nerdy f--king tidbit of that thing you call reality. Reality doesn't always look cool, bruh. The Bad Batch, does. Oh, um, also...if they killed her and ate her? We'd have no one to watch limp around the desert FOR TWO F--KING HOURS.

Monday, April 16, 2018

These days, reality is a bummer.

Read any of these posts. Talk to me for more than five minutes. Fine, three will probably do, too.

Chances are, I'll make a reference to something else, typically a movie from my youth. I (used to?) do it so frequently, even my own material is often met with a polite laugh and the question...

...Is that from something?

No.
Maybe?
Hell, I don't even know anymore, I'm in so deep sometimes. Can it get annoying? Of course, my horse. But the way I look at it, even if I miss on one or two (...dozen), there's always a chance you'll like whatever I can come up with next.

And if not, well, up your butt, Jobu.

I'm not sure I fully understand the virulent backlash aimed its way, but I had a really good time with Ready Player One. Based on the (hugely?) popular novel from Ernest Cline, Steven Spielberg's latest flick is a chaotic flash mob ofr  eighties and nineties pop-culture references. While the moves might not be for everyone, you have to at least admire the effort, you know?

See, as a 38 year old man/large boy, who came to be in this surfeit of awesomeness (every reference is plucked straight from the best time of my life), Ready Player One is pitch after pitch directly in my wheelhouse. To hate this film would essentially be to hate my youth, and that's like me failing English. Unpossible.

If you don't know, Ready Player One imagine if in the not-too-distant future, The Matrix vigorously dry-humped Charlie and the Chocolate Factory. The world has essentially gone to Hell, resulting in the entire population, rich and poor, spending every waking hour online in something known as the OASIS. The OASIS is basically a fully immersive internet, where users don fancy VR rigs and and live their lives as hi-res avatars. You can basically do whatever you've ever dreamed of, which since this flick is PG-13, includes becoming Hello Kitty, not...well, something else to do with Japanese, uh, pussy...cats.

Monday, April 9, 2018

Some of us live better in a broken world.

Peanut butter and jelly.
Eggs and bacon.
Captain America's ass and fill lighting.

While the aforementioned are all spectacular examples, there are few better combinations than robots and monsters. Like the above, either member of the set is beyond spectacular, but when you delicately place giant, metal machines together with tentacled beasts from space, and make them fight to the death, it's pretty much instant boner time.

However, it's inevitable that eventually you are going to finish your sandwich.
The clock will strike noon, and unless you're a drunken college kid, off-the-clock hooker, or lax vampire (or the unholy combination of all three), eating breakfast will be frowned upon.
And Cap, well, the way I see it, great ass or not, he might want to stay away from (any and all light), if early speculation holds.

But robots fighting monsters? That never, ever gets old.

Which is really unfortunate, when you think about it.


As much as it (unsurprisingly) guts me to say it, Pacific Rim: Uprising is exactly what you'd expect it to be: only interesting when loud things go boom. Because giant mechs using laser swords on oversized space-lizards will always be cool as shit, I can't imagine too many years will pass before we get another entry into a series that may have already run its course. When they fight, we win, but when they talk, we snooze.

Supplanting a fairly rad cast of adults from the original Pacific Rim [review], the sequel is yet another film featuring the next generation... of people we ultimately won't give a f--k about.

There's Dead Guy's Kid, the requisite Young Girl That Can Do Everything, Clint Eastwood's Son (ugh, that ol' archetype), Pointless Hot Lady, Russian Ice Teen, and of course, Handsome Asian Dude. Despite earnest and noble performances from most of actors who play them, each character seems to exist solely to out-generic one another. All we needed was a guy with an eye-patch and a cigar telling them they were the sorriest group of cadets he'd ever laid eye upon, and we'd have been in cliche heaven.

See, Pacific Rim: Uprising ticks all the boxes that Independence Day: Resurgence [review] did a year-and-a-half ago (including totally reversible, post-colon nonsense in title). It just didn't grant us the industry-standard courtesy of waiting two decades to do so. Mostly unknown cast with a few returning favorites? Check. Boring interplay between pretty much everyone on screen? You betcha.